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Cómo montar un home studio desde cero: equipo básico y opciones para empezar
Descubre cómo montar tu primer home studio con interfaces Arturia MiniFuse, auriculares y monitores KRK. Elige el equipo según lo que quieres grabar.
Arturia MiniFreak 49: the hybrid synthesizer you can now play with both hands
The MiniFreak has always had a lot to say: two digital engines, analog filters, and a sequencer that invites you to get lost. Its 37-key keyboard, however, fell short for those who wanted to play chords with the left hand while modulating with the right. The Arturia MiniFreak 49 answers that. It keeps the sound engine of the Freak family and brings it to a 49-key semi-weighted format, with physical wheels and a new XYZ touch surface. It's the same idea, but designed for playing. What changes in the MiniFreak 49? Three things, all related to performance. The keyboard. 49 full-size, semi-weighted keys, with velocity sensitivity and monophonic aftertouch. That means room for chords, melodies, and two-handed passages, and the ability to add expression with finger pressure. The wheels. Pitch bend and modulation become aluminum wheels, positioned to be at hand while you play. The XYZ touch matrix. It is the most striking novelty. Control several parameters at once with horizontal and vertical movement and pressure. According to Arturia, it also allows you to assign modulations directly, explore presets with gestures, graphically see how the sound behaves, and draw your own waveforms for the LFOs. The Freak Control feature adds Macro, Gate, and Spice controls, as well as bipolar and vector configurations. None of these novelties is essential to make a synthesizer sound. Yes, they change how you interact with it: fewer menus and more gestures. What remains from the MiniFreak? The sound heart remains hybrid: 6 voices of polyphony, each with its own variable state analog filter and VCA. Two digital engines with over 30 oscillator modes: virtual analog, FM, wavetable, granular, sample-based, and physical modeling, with algorithms from Arturia, Mutable Instruments, and Noise Engineering. The second engine can process the signal of the first, which opens the door to complex textures. Filter FM to modulate filters at audio frequency and Voice Panning to distribute the voices across the stereo field. Three effect slots with 13 algorithms each, including Self Vocoder and Ext In Vocoder. 256 MB for samples and wavetables. In addition, the MiniFreak 49 is compatible with the presets of the original MiniFreak. If you already have your own sounds, you can take them from one model to another. Sequencer and arpeggiator to create without a computer It includes a 64-step sequencer with four modulation automation lines. The arpeggiator adds octave jumps, ratchets, repetitions, and the Spice & Dice controls, which introduce rhythmic and melodic variations on the fly. In practice, you can build an idea, let it run, and transform it live with the XYZ matrix. All this happens without opening the laptop. Integration with your studio The MiniFreak 49 includes MiniFreak V, the software version of the synthesizer. Communication is bidirectional: you manage presets, edit sounds, and continue working on the project from your DAW. For connections, it has MIDI In, Out, and Thru, USB-C, audio input, Clock In/Out, sustain pedal input, and stereo outputs. Arturia indicates compatibility with polyphonic aftertouch when used with controllers that support it. It comes with 350 factory presets, identified by colors in the matrix, and 162 user positions. Who is the MiniFreak 49 for? It fits if: You are looking for a hybrid synthesizer to play, not just to program. You feel limited with a 37-key keyboard or want to play with two hands. You perform live and want to modulate without diving into menus. You are interested in sound design with many types of synthesis in a single machine. It might not be for you if: You need a compact instrument for travel or a desk with little space. In that case, the 37-key MiniFreak You already have a MiniFreak and use it mostly in the studio controlled from the DAW: the difference is more in performance than in the sound engine. You are looking for more than 6 voices of polyphony. Frequently asked questions Can I use my presets from the original MiniFreak?Yes. Arturia confirms compatibility with the presets of the original MiniFreak. Does it have polyphonic aftertouch?The keyboard has monophonic aftertouch. Arturia mentions compatibility with polyphonic aftertouch when used with controllers that support it. Do I need a computer to use it?No. The sequencer and arpeggiator work autonomously. MiniFreak V is optional and is used to edit and manage sounds from the DAW. What software does it include?MiniFreak V, the software version of the synthesizer. Choose wisely The MiniFreak 49 does not change the essence of the MiniFreak: it puts it in a format where it can be played. If you are torn between this version and the 37-key one, tell us how you work and we will help you decide.
Best audio interfaces on the market
A selection of audio interfaces from Universal Audio, Arturia, RME, Audient, Focusrite, and Solid State Logic, highlighting their key features and options for studio work, production, and content creation.
New Arturia KeyStep mk2 | Keyboard and Sequencer
🎹 Arturia KeyStep mk2: the ultimate evolution of the compact controller The Arturia KeyStep mk2 arrives at Microfusa to take your creativity to the next level. The natural evolution of the acclaimed original KeyStep combines the reliability and simplicity that made it a classic with the creative depth and expanded connectivity that make it essential in any modern setup. Whether you work with modular synthesizers, vintage hardware, or your favorite DAW, the KeyStep mk2 offers you a smooth, powerful, and musical experience from the very first touch. 🚀 Take the step towards your next idea The original KeyStep earned its place in studios and stages around the world thanks to its intuitive design and its ability to connect modular instruments, controllers, and software without complications. With KeyStep mk2, Arturia takes a leap forward by incorporating generative and mutant tools, a bright OLED display, and a redesigned sequencer that transforms the way you create and control your sounds. And as always, at Microfusa you can try it, discover its possibilities, and find the advice you need to integrate it into your studio or live set. ✨ New features of the KeyStep mk2 🎛️ Total connectivity Thanks to its extensive connectivity —USB-C, DIN MIDI I/O, CV/Gate outputs, Sync I/O, and pedal input— the KeyStep mk2 can easily be integrated into any environment: from a professional studio to a modular system or a live performance. It also includes an additional CV output (Mod 2) and a practical power switch, making it the ideal control center for your equipment. 💡 Improved sequencer The new polyphonic sequencer offers 8 additional memories, non-quantized recording, Bend & Mod automation, Undo function, step editing, and pattern chaining.All this allows you to build more complex and dynamic phrases without losing creative flow. 🎵 Smart arpeggiator The redesigned arpeggiator of the KeyStep mk2 includes features such as Arp Reset to turn arpeggios into phrases, and the new “Arp Pattern” mode, which generates unique melodies, basslines, and chords from the notes you play. 🌀 Creativity in motion The new Mutate, Spice/Dice, and real-time transformations features add a generative and spontaneous touch to every performance, helping you break out of the predictable and explore new ideas with just a turn of a knob. ⚙️ Hardware-based control The OLED display and the push encoder make control easier without relying on the MIDI Control Center software. Everything essential is at your fingertips, in a compact and robust design ideal for the modern musician. 🔊 Conclusion: a new creative standard The Arturia KeyStep mk2 is not just an update: it is a tool designed to inspire, connect, and evolve with your music.If the original KeyStep was a modern classic, this new version redefines what a professional compact controller can do. Find it now at Microfusa, available both in-store and online, with fast shipping and advice from our specialized team. 🎹 Discover the new Arturia KeyStep mk2 at Microfusa and take the step towards your next idea.👉 View product at Microfusa
WOMEN IN MUSIC
At Microfusa, We Celebrate the Impact of Women in Music: Breaking Barriers and Creating Legacies In a world where music has traditionally been dominated by male figures, it is crucial to recognize and celebrate the fundamental role that women have played in this field throughout history. From pioneers who challenged social norms to contemporary innovators who continue to shape the musical landscape, women have left an indelible mark on every genre, style, and aspect of the music industry. MicroFusa recognizes the tendency to look back at music history from a male perspective, relegating women to a secondary role. However, in its tribute to women artists, it highlights their decisive role in musical evolution and their status as cult artists. Pioneers Who Paved the Way Highlighting figures such as Sister Rosetta Tharpe, considered the "mother of rock and roll", and Bessie Smith, a blues pioneer. The legacy that has been left on history thanks to artists such as Billie Holiday, Ella Fitzgerald, and Aretha Franklin is astonishing, with their iconic voices transforming popular music and jazz. Innovators at the Forefront of Experimentation Since the early days of electronic music, women have played a crucial role in exploring new sonic and technological frontiers. Here, we dive into the world of the composers and artists who have led the vanguard of musical experimentation: Wendy Carlos: Known for her pioneering work in electronic music and her album "Switched-On Bach", Carlos was one of the first to use the Moog synthesizer to recreate classical works by Bach, introducing the general public to the potential of the synthesizer and electronic music. Daphne Oram: Founder of the BBC Radiophonic Workshop, Oram was a visionary in the field of electronic music and sound creation. She developed her own electronic music production system called Oramics, which allowed her to compose music by manipulating visual graphics. Her work influenced subsequent generations of electronic musicians. Björk: With a career spanning decades, Björk has been an innovative figure in contemporary music. Experimenting with electronic sounds, samples, and orchestral arrangements, she has created a unique style that challenges musical conventions and captivates her fans around the world. These artists have not only expanded the horizons of what is possible in music, but have also inspired generations of musicians and listeners to explore new forms of expression and creativity. Their legacy continues to resonate in contemporary music, where experimentation and innovation remain fundamental to artistic progress. Obviously, this list does not do justice to all the women in music whom we admire, but as previously stated, it is a selection of some artists who have done or are doing amazing work with sound and remain under the mainstream radar. MICROFUSA / BARCELONA STORE Sepúlveda 134 / Barcelona / Tel.: 930 186 876 MICROFUSA / MADRID STORE Ardemans 9 / Madrid / Tel.: 910 88 93 30
Arturia presents Pigments 5
Arturia Presents Pigments 5 Polychromatic Software Synthesizer Arturia Presents Pigments 5, a VST software synthesizer with 5 different sound sources that can sound simultaneously, a selection of cutting-edge presets with advanced modulation, and deep sound design. Explore every nuance of synthesis and bring your wildest sonic fantasy to life, whatever your style. What's New New Content and Sounds (MPE) Playback View Multi-Core Processing Sequencer Update Audio Input QOL Improvements New Content and Sounds Discover a huge selection of new factory presets (150 added), wavetables and samples in Pigments 5, with over 1500 sounds. 3 new preset expansion banks will also be available in the Pigments sound store (each bank includes 150 MPE presets designed for greater expressiveness). Seamless Performance Pigments now uses Multi-Core processing for greater CPU efficiency, allowing more users to explore this powerful synthesizer and add it to projects with a high number of tracks. Ignite Your Creativity Explore the highly requested sequencer updates, from one-click sequence generation and new playback modes to savable presets and sequence exploration. Use sequencer locking to apply your sequence to any sound. Shape and Transform Your Own Sounds You can now process external audio in Pigments via the Utility engine by routing the sound to the instrument through the track's sidechain input. Composition with Style The updated Pigment interface includes an enhanced playback view, with new waveform views and other improvements. Improved Effects Routing Now you can choose whether the AUX FX send is routed before or after insert effects, allowing you to send processed audio to your spatial effects. Generate New Ideas! You can now create new sequences with 1 click, whether using the generative algorithm or exploring your preset sequences. Use this powerful and intuitive sequencer with ANY sound: Save your favorite sequences. Use sequencer locking to apply your sequence to any preset. Use the Pigments sequencer MIDI output to send notes to other instruments. Experiment More and More! The new FX Routing allows you to shape the timbre with an effect before sending it to your spatial effects on the AUX bus. Use the Phase Init parameter in the wavetable oscillator to control phase alignment and achieve surgical kick drum mixes. With the audio input added to the Utility engine, you can now shape and transform your own sounds with all of Pigments' parameters. Discover More What's New CPU Optimization: thanks to CPU optimization via Multi-Core processing, Pigments is now more accessible and improves processing on less powerful computers or complex projects. Explore the most cutting-edge nuances of synthesis and timbres with new content and sounds. New factory preset bank (100 presets). 3 new preset expansions: precise genre-based artistic direction for each of the banks. New wavetables: New high-quality and versatile wavetables with unique timbres. New samples: from vocal samples to 808 basses, explore the possibilities of Pigments with all the different flavors. Updated playback view: With a modern and new interactive audio spectrum. MICROFUSA / BARCELONA STORE Sepúlveda 134 / Barcelona / Tel.: 930 186 876 MICROFUSA / MADRID STORE Ardemans 9 / Madrid / Tel.: 910 88 93 30
The Arturia KeyStep Pro Chroma is now in stock
Arturia KeyStep Pro Chroma now in stock Arturia's powerful keyboard sequencer and controller, now redesigned KeyStep Pro Chroma combines new aesthetic elements, including a sleek dark gray exterior, striking blue LEDs, and other expressive features that allow users to customize their track colors. These new features add to the already impressive feature list of the 2019 KeyStep Pro, the polyphonic controller that remains a benchmark for creative sequencing with both hardware and software instruments. With the release of the Arturia KeyStep Pro Chroma, a new and important firmware update (2.5) arrives, offering new and useful features and long-awaited improvements, free of charge for current KeyStep Pro users. The update is now available for download through MIDI Control Center and arturia -Meet the Arturia KeyStep Pro Chroma The keyboard controller that changed the sequencing game, updated with a futuristic exterior and packed with unique creative functionality. -Sleek dark exterior An attractive dark gray color gives the KeyStep Pro an industrial and cutting-edge look. -Vibrant blue LEDs In perfect contrast with the dark casing, the bright blue LEDs illuminate the setup. -New and sleek knobs New and sleek knobs that complement the new design of the KeyStep Pro Chroma. -Customizable track colors Exclusive to the KeyStep Pro Chroma, users can now choose from a range of colors for their tracks. MICROFUSA / BARCELONA STORE Sepúlveda 134 / Barcelona / Tel.: 930 186 876 MICROFUSA / MADRID STORE Ardemans 9 / Madrid / Tel.: 910 88 93 30
Arturia SALE
Celebrate the arrival of summer -> With Arturia Arturia's Summer Sale is here: Arturia is launching its traditional summer sale. Turn up the heat on your mixes and quench your thirst for inspiration with a 50% discount on software instruments, the offer will be active until August 15. These discounts offer the perfect opportunity for users to choose specific titles or sounds that suit their style and thus expand their DAW production libraries. What does the offer include? 50% discount on software instruments. Modern wide-spectrum synthesizers, irresistible vintage keyboard emulations, dynamic hybrid instruments, and everything you can imagine. From the multi-engine exploration of Pigments to the analog charm of the Synths in Analog Lab V, which is undoubtedly one of the best collections on the market. Check out the offer on our website and don't miss it! Includes: Analog Lab V, Pigments, MiniFreak V Visit our website and don't miss this discount! MICROFUSA / BARCELONA STORE Sepúlveda, 134. Barcelona / Tel.: 934 553 695 MICROFUSA / MADRID STORE Ardemans, 9. Madrid / Tel.: 917 242 800 MICROFUSA / ONLINE STORE
THE 5 BEST AUDIO INTERFACE SERIES
THE 5 BEST AUDIO INTERFACE SERIES Every artist has specific needs. And if you're looking for an audio interface, you'll want it to have certain features. You might need one input, or you might need six. Perhaps you're going to connect microphones or synthesizers. That's why in today's article we're going to show you the 5 best audio interface series. A selection in which we are sure you will find the audio interface that best suits what you are looking for. Arturia AudioFuse Studio The Arturia AudioFuse Studio audio interface series is, without a doubt, unsurpassed in terms of versatility and features to improve workflow, and includes a wide variety of features in its compact desktop format. AudioFuse Studio offers you all the studio tools you need at a very affordable price. Offering you more clarity when mixing, recording drums using the Glyn Johns technique with 4 pristine, unprecedented preamplifiers, connecting your entire collection of synthesizers, and playing through your studio monitors or headphones without turning on your computer, playing guitars with dedicated instrument-level outputs, or tracking a full band using the ADAT expansion ports. Features 4 high-quality DiscretePRO© preamplifiers with independent Mic/Line circuits, with insert points for channels 1-4 4 additional line inputs, with inputs 5-6 switchable to Phono Highest quality Bluetooth audio receiver compatible with aptX© and AAC©. 2 pairs of balanced TRS outputs for speakers, with built-in A/B switching 2 independent stereo headphone outputs, with 6.35 and 3.5 mm jacks 2 independent analog line outputs with amplification capability (instrument-level output) Direct monitoring from ultra-low latency internal mixers ADAT i/o allows 8 additional inputs and 8 outputs, up to 96kHz Excellent connectivity: MIDI i/o, backward compatible USB-C, S/PDIF i/o, Word clock input, output/thru on RCA Cinch Latest generation 24-bit AD/DA converters with a sampling rate of up to 192 kHz Self-positioning leather-covered protective cover Robust metal desktop chassis AudioFuse Control Center software for routing audio and controlling master settings AudioFuse Creative Suite included The Arturia AudioFuse Studio series includes: TridA Pre: Which offers you that rare Soho preamp sound and that musical EQ that have flavored countless bestsellers for half a century. 1973 Pre: Inspired by the sound of British studios, the Arturia 1973-Pre interface is the key to getting that harmonically exciting 70s solid-state tone. V76 Pre: The key to getting that “White Album” sound. Mini Filter: Dr Robert Moog's smooth and iconic stepped filter, accurately recreated and updated with an LFO, envelope follower, and step sequencer. Comp FET-76: Modeling of the most sought-after compressor in the world, the Class A FET sound of Arturia's 1176 software recreation seems to make anything sound better. Delay TAPE-201: You will get everything you love about the sound of vintage tape delays, but with the reliability and versatility of software. Tascam Series At the NAMM Show held last January at the Anaheim Convention Center, Tascam, the professional audio division of TEAC Corporation, presented its two new audio interfaces. Two interfaces that integrate new technologies that allow for higher recording quality and an improved mixing system from DSP. They were the new Series 102i and 208i models, both capable of quality recording up to 192kHz on Windows and Mac (also supports iOS), via USB 2.0 connection. The two interfaces integrate a new DSP system for both input and output control, with built-in reverb, compressor, phase inversion, four-band equalizer effects, all individual for each channel. But let's see the differences between both models: Tascam Series 102i The Tascam Series 102i features 2 combo analog inputs with preamps and 48V Phantom power. It can be expanded via an S/MUX optical port to achieve up to 10 inputs, accepting up to 8 channels from a compatible ADAT or S/MUX device. It also features dual headphone output and control, MIDI connectivity, and two balanced line outputs. Tascam Series 208i The Tascam Series 208i is similar to the 102i although broader in its features. It features 4 combo mic/line inputs with preamps with 48V Phantom power and the possibility of expansion up to 20 inputs in digital format. It features 8 balanced line outputs for monitoring up to 7.1 surround. It also includes dual headphone input and control and master fader. Audient iD After the sale of their company DDA (a company widely known for designing mixing consoles during the 1980s and 1990s) and the emergence of digital consoles, David Dearden and Gareth Davies founded Audient in 1997. Their goal was to stay in the analog console market with a high-quality, efficient, and at the same time affordable sound. They achieved it with the ASP8024, a real industry benchmark. But their efforts did not stop there. Audient also stands out for its mic preamps, its monitor controllers, and its audio interfaces. Their high-performance iD series interfaces are synonymous with quality. Audient iD4 The iD4 is an audio interface with 2 inputs and two outputs that offers the audio performance of a large format console in a compact, portable, and ergonomic design. Equipped with a microphone preamplifier from the renowned Audient interface range, first-class conversion technology, dual headphone output, console-type monitor control, a JFET DI instrument input, and ScrollControl virtual displacement technology, the iD4 is a professional and, at the same time, affordable solution for both the home studio and when you are on the go. Audient iD14 The iD14 is an audio interface with 10 inputs and 4 outputs that offers the audio performance of a large format interface in a compact and elegant design. It incorporates a pair of microphone preamplifiers, high-quality Burr Brown converters, console-style monitor control, JFET DI instrument input, and the new and revolutionary ScrollControl feature. Audient iD22 The iD22 is an audio interface with 10 inputs and 4 outputs with a monitoring system. Like the iD14, it incorporates a pair of microphone preamplifiers, high-quality Burr Brown converters, console-style monitor control, and JFET DI instrument input. But it also includes expandability through ADAT, user-defined function keys, balanced insert points, and much more. Audient iD44 The iD44 is an audio interface with 20 inputs and 24 outputs, the most powerful of the series to date. It includes four microphone preamplifiers equal to those of the Audient consoles, first-class converters, expansion capability via ADAT, and much more. The iD44 offers you the same performance as an Audient console but in a size ideal for your desk, which guarantees you the professional sound you deserve. SSL SSL2 The Solid State Logic brand has been in the music production market for over 40 years, helping world-famous artists, producers, and studios create many of the most legendary albums in history. For the first time in its history, last January it presented its first audio interfaces, a milestone in music production, since with the SSL2 series we can enjoy the incredible quality of its preamplifiers at a very affordable price for a home studio format. Among the features of these audio interfaces, we can highlight analog microphone preamplifiers with SSL design and flawless conversion at 24/192 kHz for maximum quality recordings, monitoring routes, and high-performance headphone amplifiers for clear playback and intuitive low-latency mixing control on the front panel. In addition, the “Legacy 4K” mode, inspired by the classic SSL consoles, offers you the possibility of adding additional analog character and brightness to your sources when necessary. Not only that, the SSL Production Pack software package includes some of the SSL Native studio programs and a carefully selected selection of DAWs, Samples, Loops, and virtual instruments from industry leaders. Next, let's see the features of the two models of the series, the SSL2 and the SSL2+ SSL 2 Class-leading microphone preamplifiers (130.5dB EIN / 62dB gain). Pro-Studio Neutrik quality connectors and Alps pots. High-current headphone amplifier. 24-bit / 192 kHz AKM converters. Enhanced Legacy 4K processing Inspired by the SL4000 series mixer. SSL Production Pack Exclusive software package. Advanced workflow in ergonomics, layout, and metering. SSL 2+ Class-leading microphone preamplifiers (130.5dB EIN / 62dB gain). Pro-Studio Neutrik quality connectors and Alps pots. 2 headphone amplifiers with independent monitoring mix. 24-bit / 192 kHz AKM converters. Enhanced Legacy 4K processing Inspired by the SL4000 series mixer. MIDI I/O. 2 additional unbalanced outputs for DJ mixers. SSL Production Pack Exclusive software package. Advanced workflow in ergonomics, layout, and metering. Focusrite Scarlett From its factory in High Wycombe, England, Focusrite designs and markets microphone preamplifiers, consoles, analog equalizers and channel strips, digital audio processing hardware and software, and audio interfaces. Among its interfaces stands out the Scarlett series, the best-selling USB audio interface in the world. An ideal device for producers, composers, singers, and guitarists who want to record their music with studio quality. With six input and output configurations, with the highest performing microphone preamplifiers you have ever heard, and with high-margin instrument inputs and high-performance converters, the Scarlett series by Focusrite has allowed millions of artists around the world to record, mix, and play back high-quality audio. Let's see the different configurations of the series below: Scarlett Solo USB Type C connectivity USB 2.0 protocol 2 x 2 simultaneous I/O 24-bit/192 kHz A/D resolution 1 preamplifier Phantom power 1 instrument input 1 line input 2 TRS analog outputs (Balanced) 1 headphone output Bus powered Scarlett 2i2 USB Type C connectivity USB 2.0 protocol 2 x 2 simultaneous I/O 24-bit/192 kHz A/D resolution 2 preamplifiers Phantom power 2 instrument inputs 2 line inputs 2 analog outputs 1 headphone output Bus powered Scarlett 4i4 USB Type C connectivity USB 2.0 protocol 4 x 4 simultaneous I/O 24-bit/192 kHz A/D resolution 2 preamplifiers Phantom power 2 Pads 2 instrument inputs 4 line inputs 4 analog outputs 1 headphone output Loopback MIDI I/O Bus powered Scarlett 8i6 USB Type C connectivity USB 2.0 protocol 8 x 6 simultaneous I/O 24-bit/192 kHz A/D resolution 2 preamplifiers Phantom power 2 Pads 2 instrument inputs 6 line inputs 4 analog outputs 2 headphone outputs S/PDIF digital inputs S/PDIF digital outputs Loopback MIDI I/O PSU Scarlett 18i8 USB Type C connectivity USB 2.0 protocol Rack Form Factor mounting (1U) 18 x 8 simultaneous I/O 24-bit/192 kHz A/D resolution 4 preamplifiers Phantom power 4 Pads 3 instrument inputs 8 line inputs 4 analog outputs 2 headphone outputs Main/alternate speaker switching S/PDIF and ADAT digital inputs S/PDIF digital outputs Loopback MIDI I/O PSU Scarlett 18i20 USB Type C connectivity USB 2.0 protocol Rack Form Factor mounting (1U) 18 x 20 simultaneous I/O 24-bit/192 kHz A/D resolution 8 preamplifiers Phantom power 8 Pads 3 instrument inputs 8 line inputs 10 analog outputs Main/alternate speaker switch 2 headphone outputs Talkback S/PDIF and 2 x ADAT digital inputs S/PDIF and 2 x ADAT digital outputs Loopback MIDI I/O PSU We hope our selection of interface series is useful to you. In any case, you already know that in our online store we have a wide range of audio interfaces with all types of connections. MICROFUSA / BARCELONA STORE Sepúlveda, 134. Barcelona / Tel.: 934 553 695 MICROFUSA / MADRID STORE Ardemans, 9. Madrid / Tel.: 917 242 800 MICROFUSA / ONLINE STORE
The Arturia MiniBrute2 demo-tour arrives at Microfusa Barcelona.
This coming Wednesday, June 6, at 18:00, we will host the official Demo-tour of Arturia's new synthesizer at our Barcelona store. The new MiniBrute 2 ecosystem is arriving at our facilities so you can come and experience it and, while you're at it, take home a first-generation MiniBrute or an Arturia V Collection pack as a gift. An exciting evolution in the history of MiniBrute, MiniBrute 2 by Arturia remains true to the power of the original iconic synthesizer, while adding new features and possibilities or the MiniBrute 2S that has combined the best elements of an analog synthesizer with an intuitive step sequencer and a semi-modular architecture, the MiniBrute 2, in any of its versions, was created to inspire and this coming Wednesday, June 6, we will have the official Arturia team at our Barcelona store presenting this new ecosystem, to join us, register here. With parameters that are clearly defined and that create a sound full of personality and attitude. The 64-step, triple-layer multipattern sequencer of the MiniBrute 2S offers new ways to create music, helping to eliminate the tediousness of programming patterns. In short, a standalone synthesizer that can also be expanded using racks and turned into the center of a modular system by connecting it to a RackBrute to keep your entire setup in a robust and elegant rack ecosystem. Original MiniBrute fans will instantly fall in love with the familiar controls and signal flow, but this synthesizer has a new sound that can't wait for the world to discover it. A powerful standalone synthesizer, the MiniBrute 2 gives you practical control, allowing you to create unique sounds. Through organic programming with nearly endless possibilities, MiniBrute 2 opens a universe of sound to explore and offers maximum control over a wide range of new synthesizer options, internal routing, and Eurorack compatibility, making it a synthesizer for musical pioneers. More than the sum of its parts, MiniBrute 2S takes everything you know about synthesizers and completely changes it, allowing you to rewrite the rules. With a complete modulation matrix with dozens of sources and destinations at your disposal, you can start reconfiguring its signal paths to evoke sounds that, ultimately, had never been heard before. So, true to the tradition of the first generation of the MiniBrute -of which we will raffle off one unit at this demo- Arturia has managed to take the legacy of this name to a level that users will surely appreciate. At Microfusa, we know how successful this first generation of MiniBrute was, so much so that it is now part of our special offers where we have the last units at €299. And this coming Wednesday, June 6, starting at 18:00h, the official Arturia Demo-Tour arrives at our Barcelona store so you can get to know, test, and clear up any doubts about these new members of the Arturia family: MiniBrute2, MiniBrute2S, Microbrute, Matrixbrute or the new Rackbrute. We will also raffle off, among the attendees, a first-generation MiniBrute and an Arturia V Collection pack with excellent virtual instruments. To attend, register here and join us, admission is free. [video:https://youtu.be/yiBopJmgmkI align:center] Arturia Minibrute 2 [video:https://youtu.be/56Nkmx3ptcQ align:center] Arturia Minibrute 2S [video:https://youtu.be/YsW1qxNKQZo align:center] Arturia Ecosystem If you need more information about this or other events in which Microfusa participates, contact us. MICROFUSA / BARCELONA STORE Sepúlveda, 134. Barcelona / Tel.: 934 553 695 MICROFUSA / MADRID STORE Ardemans, 9. Madrid / Tel.: 917 242 800 MICROFUSA / ONLINE STORE
Arturia MiniBrute 2, MiniBrute 2S and RackBrute: three innovative products that define Arturia's modular ecosystem
Modular and semi-modular synthesizers are currently very popular with a large number of musicians and producers. Whether it is a fad or a market trend is beside the point; what is clear is that these instruments are synonymous with inspiration and creative freedom. Just as great artists create their own unique universe within a particular genre, Arturia, one of the pioneering companies to bring the sounds of classic analog synthesizers back to life with its first digital emulations back in 2000, has now defined its approach to the world of modular synthesis. In this way, Arturia continues in its line. We could say that it maintains its leitmotif, that fundamental idea that is repeated in each of its creations: to design superior quality synthesis systems accessible to the vast majority. In its early days, it made this possible thanks to software based on its own technology –which is still in effect today– called TAE® (True Analog Emulation), which extremely accurately models the behavior of analog circuits –its first software synthesizer, the Modular V, was a great success among users–. A few years ago, Arturia took another step by creating its first analog hardware synthesizer, the Origin. With this ambitious synthesizer, one of the most advanced in the world according to experts, Arturia became one of the first companies to firmly bet on the integration of native software and dedicated hardware. This path would later be solidified with the release of Analog Experience the Factory and Spark Creative Drum Machine. Then came the Keylab and MiniLab, completing a truly complete and advanced range, always with the goal of offering every musician powerful and intuitive tools at a very reasonable price. “Arturia maintains its leitmotif, that fundamental idea that is repeated in each of its creations: to design superior quality synthesis systems accessible to the vast majority.” This is how, in 2012, a new product line appeared, the Brute series. With this new range of devices, Arturia surprised many again because, after long years dedicated to the faithful emulation of analog systems, the company decided that it was time to create its own analog hardware synthesizers. In this way, the French company not only brought fresh air to this very traditional sector, but at the same time revolutionized the market by marking a turning point, “democratizing” the analog synthesis sector in a way. Well, this is how we arrive at this week in which Arturia, in its eagerness to bring powerful and quality products to as many people as possible, has once again taken the initiative. Now it is the turn of the semi-modular synthesizers, once instruments that were inaccessible to many. Semi-modular synthesizers combine a predetermined path –like closed systems– with a section for interconnecting different modules –as happens with modular synthesizers–. In this way, the musician has access to an extensive variety of combinations to be able to generate unique, original, and creative sound compositions. Although this structure may involve a somewhat complex scheme, especially without certain basic knowledge of synthesis and signal routing, as a trade-off it offers the possibility of achieving an enormous variety of timbres, a unique, unprecedented, and amazing sound, with no limits other than your own imagination. It is the user who defines the path that the signal will follow through the different modules, oscillators, filters, or envelopes and, consequently, the absolute owner of their sound. The new range of products recently launched by Arturia is composed of the semi-modular synthesizers Arturia MiniBrute 2, MiniBrute 2S and the modules RackBrute 3U and RackBrute 6U, designed especially for these devices. All together they form a particular modular ecosystem that is very interesting, functional, and promising. “Although this structure of modular synthesizers may involve a somewhat complex scheme, as a trade-off it offers the possibility of accessing an extensive variety of combinations to be able to generate unique, original, and creative sound compositions.” Arturia MiniBrute 2 It is a monophonic analog hardware synthesizer. It offers a 100% analog signal path, powerful features for sound modeling, step sequencer, arpeggiator and a powerful CV modulation matrix with 48 interconnection points for sources and destinations to experiment and immerse yourself in the wonderful world of modular synthesis. Likewise, it features a new 25-note keyboard with velocity and aftertouch, whose feel and response are inherited from the successful MatrixBrute. In addition, the CV panel also provides the keyboard with connection points to restructure its default configurations for the pitch, gate, velocity, aftertouch, and modulation parameters. The clever design of this semi-modular synthesizer is designed so that you can have the convenience of closed devices and the wide options of modular systems. In other words, Arturia MiniBrute 2 gives you the possibility to follow the signal paths designed by the manufacturer since each component and function has its own dedicated assignment, preset at the source. In this way, if you are a beginner in this modular synthesis thing, it will be much easier for you to start creating your sounds. However, if you are eager to unleash your imagination, and you already have some experience in this field of synthesis, you can break the marked paths and start applying all kinds of interconnections to create your own sounds. Created, according to the manufacturer, to close the gap between the world of the more traditional synthesizer and the constantly evolving modular scene, Arturia MiniBrute 2 also offers the following features: Oscillators The Oscillator & OSC Mixer panel in MiniBrute 2 is where you can start creating the foundations of your sound. Since the original MiniBrute, one of the main features of 'Brute' has been the ability to mix and generate multiple waveforms to, in this way, achieve an impressive variety of sonic results. With MiniBrute 2, now you have the possibility to go further, you can mix a second VCO –with sine, saw, square waveforms and independent tuning adjustment– and an external sound source. Filter This is the section where you can mold your sounds. The powerful and already known Steiner-Parker filter of two poles and 12 dB provides you with an acid tone and the ability to self-oscillate when the resonance is increased. The filter, with 4 unique modes (LP/BP/HP/Notch), can also be adjusted and modified dynamically, achieving a wide creative range. The resonance control increases the frequencies around the cutoff point, modifying the harmonic profile of the sound and adding an interesting sweep effect when moving the Cutoff. Envelope MiniBrute 2 includes two types of envelopes, ADSR assigned by default to the filter and the atypical AD multimodal envelope, associated with the amplifier. They can be used to work the natural evolution of the amplitude and timbre of the sound or to create totally different sound structures. Likewise, the default assignments of the envelopes can be reorganized through the modulation matrix. LFOs It features two modules equal –with 6 selectable waveforms each– that are synchronizable to the speed of the sequencer's own clock. Ideal for generating periodic modulations that add a rhythmic feel. Matrix The CV/Gate modulation matrix is one of the most remarkable aspects of the new Arturia MiniBrute 2. It is generous in its number of connections (48) and is strategically located to, through the use of the short patch cables that come included, have a comfortable access to all the controls of the synthesizer. This section offers you the possibility of, simply, turning everything upside down, breaking the mold and going off course. Experiment and find your own paths to express everything that comes to your mind. It is fully compatible with all Eurorack modules and with the audio equipment enabled for CV/Gate. In addition, you can simultaneously input signals to alter the sound of MiniBrute 2 and affect other modules. Arpeggiator and Loop The multi-mode arpeggiator gives you the option of creating loop patterns that can be played forward, backward, in an alternating combination, randomly, and in multiple time resolutions. Sequencer It has a simple interface that will be familiar to users of Arturia KeyStep. The sequencer allows you to create, very intuitively, monophonic and melodic sequences that can be synchronized with your DAW through USB, with any other hardware device like DrumBrute via MIDI, or with a clock signal present in the patch bay. Arturia MiniBrute 2S It is a monophonic analog hardware synthesizer that, unlike the previous model, does not include a keyboard. Instead it integrates a strip of 16 pressure-sensitive pads in the “drum-machine” style and, at the same time, adds a more complete step sequencer. MiniBrute 2S features a dedicated three-layer sequencer –one layer for the melody and two more layers to sequence the parameter controls–, all editable in real time. In this way, you will be able to add more depth and control to your sequences. Regarding the purely synthesis section –oscillators, filters, envelope, matrix, etc.–, this is practically identical to that of the MiniBrute 2S. There is only a slight difference in the CV connection patch –where a CV connection is added for the control of aftertouch– and in some legato activation function, derived from the absence of a keyboard. For its part, the back panel of both synthesizer models presents the same connection options: an master audio output and a headphone output –both with a 1/4" Jack connector–, MIDI IN/OUT port with standard DIN5 connection, USB type 2 port to work with a DAW and DC power connection. Regarding the main differences already mentioned, the first of them is the strip of 16 pressure and velocity sensitive pads that the device incorporates. These pads appear arranged in the style of piano keys and can be used as a standard one-octave keyboard, to activate arpeggiator note repetition sequences, or to enter steps in the sequence and activate previously created musical passages, such as melodies, bass lines, or percussion patterns. The 16 encoders located on the pad strip are used to edit the values of each step. As for the sequencer, this allows you to record up to 64 custom patterns. It can record 64 different multiple tracks sequences, each with up to 64 steps, and chain those sequences together. It provides three step sequencing tracks, plus real-time recording, precise data and control voltage editing, as well as CV interconnections to send signals in any direction. The MiniBrute 2S is in Sequencer mode by default. You can switch to Arpeggiator mode simply by pressing the Power button in the Arp/Loop section. With a clear orientation towards a flexible and scalable modular environment, both synthesizers –MiniBrute 2 and Minibrute 2S– also incorporate the new Arturia Link mounting system, so you can connect them to the Arturia RackBrute. Arturia RackBrute These chassis for Eurorack modules are the perfect complement to create a modular synthesis ecosystem, customizable, versatile, functional, and portable that allows you to house and power your modular setup. Not only can it be configured in multiple positions but also allows you to fold it to transport it safely. Although the RackBrute is designed for the Arturia MiniBrute 2 and 2S synthesizers, the rack also can be used with other Eurorack modular systems. RackBrute comes in two versions, 3 and 6 units each. It is built with a case made of a lightweight and resistant aluminum chassis, with a finish that includes wooden side panels. RackBrute is much more than a practical rack for modules. It is a very complete device that comes equipped with 88 HP (3U version) and 176 HP (6U version). In case you are not very familiar with the modular universe, you should keep in mind that in the Eurorack format for synthesizer modules, the width of a module rack is defined as the number of HP units. Each HP is 0.2" (0.5 cm). Most systems have an even number of HP width. Likewise, the Arturia RackBrute 3U and 6U integrate two independent circuits to supply the most common modular voltages: +12 V, -12 V, and + 5 V, and up to 1600 mA in total. Ahead of NAMM 2018, Arturia delights us once again with three innovative products that will fully immerse you in the exciting world of modular synthesis. As always, if you have any questions about these or any other products, you can contact our specialists, who will be happy to help. You can also visit our online store, where you'll find a wide range of products from leading brands at the best prices. MICROFUSA / BARCELONA STORE Sepúlveda, 134. Barcelona / Tel.: 934 553 695 MICROFUSA / MADRID STORE Ardemans, 9. Madrid / Tel.: 917 242 800 MICROFUSA / ONLINE STORE
Arturia revives the classic analog synthesizers that made history.
ARTURIA V COLLECTION 6, now available at Microfusa and on sale throughout December. In the art of painting, no one can create a believable abstract painting or call themselves avant-garde without having studied the techniques and tools of the classics like Goya, Velázquez, or Leonardo Da Vinci; the same applies to the art of music. "There is no bright future without the knowledge and experience of the past" With the new ARTURIA V Collection 6, you will discover the classic and iconic keyboards in music history, adapted with cutting-edge techniques and reincarnated with TAE (True Analog Emulation), Arturia's exclusive and precise technology. Its state-of-the-art physical modeling will give you endless possibilities and formulas to develop a style with your own personality. Arturia's engineers have not only emulated them with extreme fidelity but have also added the features and possibilities that were not feasible at the time (sequencers, FX, easy mapping, additional oscillators, LFO, filters, etc.) The ARTURIA V Collection 6 adds 4 more legendary machines (Clavinet V, Buchla Easel V, DX7 V, CMI "Fairlight" V) to the update, with major improvements to Analog Lab V and Piano V. The entire collection consists of 21 20th-century instrumental beauties, packed with endless sounds, (Analog Lab - Synclavier V - B-3 V - Mini V - Piano V - Stage 73 V - Matrix 12 V - Farfisa V - Solina V - SEM V - Wurli V - Jup-8 V - ARP 2600 V - CS 80 V - Prophet V - Vox Continental V - V Modular - Clavinet V – Buchla Easel V - DX7 V - CMI V) In the past, having this entire arsenal would have been out of reach for anyone but an oil tycoon; now you have it at an unbeatable price of €399 in December only, then €499. We can now work with the same tools used by the greats of 70s rock, funk, disco, and progressive music, and the stars of 80s and 90s Pop/Rock, Hip Hop, and Electronic music. In short, it's huge. DX7 Shoulder pads, hairspray-heavy hair, auto-reverse Walkmans, E.T., Rambo, and, of course, the DX7 (1983). An absolute icon of the 80s. It was heard on almost every 80s one-hit wonder. It was a symbol of avant-garde and modernity, revolutionizing sound with its digital synthesis (FM), which was more complex and harmonic than analog, and closer to the emulation of real instruments. It was characterized by its sharp and percussive timbres, such as bells, slap, etc. It had six operators combined through 32 algorithms, no FX, and was very difficult to program. Arturia makes it easy for us, with an exact replica of the DX 7 but correcting details and providing it with logical programming and a clear graphical interface, with FX chains, a step sequencer, two LFOs, 25 waveforms, six operators, an arpeggiator, etc. Its clear, clean high-frequency sounds always fit, even in the most baroque mix. A keyboard with 436 presets without harshness and with elegant sounds, very suitable for modern productions. Depeche Mode, The Cure, Underworld, Vangelis, U2, etc. have used the DX7. [video:https://www.youtube.com/watch?v=887qredDcbI&=&list=PL1039CB95EAA54DC9 width:500 height:400 align:center] ARTURIA CLAVINET V The Clavinet Model D6 (1971) is an electro-acoustic struck string instrument, essentially an electronically amplified clavichord with its characteristic staccato sound. The hammer of the original keyboard had a rubber tip that sustained the vibration on strings very similar to guitar strings, which is why the raw sound of the Clavinet began to be processed like an electric guitar, run through an amplifier and wah-wah, distortion, etc. pedals, thus achieving much more feeling and sonic range. Over the decades, it has become another classic. The typical Stevie Wonder sound. [video:https://www.youtube.com/watch?v=mXyF7aIQkYM width:500 height:400 align:center] And so you don't have to go through the trouble of chaining external guitar pedalboards or an amplifier, Arturia has incorporated them into the Clavinet itself (chorus, flanger, wha....) plus a vintage amplifier. It also includes the legendary spring reverb and the typical pickup noise, so in seconds we can create and perform the authentic sound of 70s Funk, Disco, and Reggae. It is also ideal for Rock/Pop and R&B productions. With the perfect physical modulation and Arturia's algorithmic emulation, we hear the authentic and real Clavinet. It also incorporates an advanced and updated modeling edition. A keyboard for rhythmic chord needs, simple and effective. ARTURIA BUCHLA EASEL V If you are curious and inquisitive, this is a perfect machine for experimentation and sound design aimed at avant-garde music, extreme techno, and even noise music. It can sound very raw or create impossible and psychedelic sequences and atmospheres. Its super "cool" image already tells us it is unique, different, and Martian. The 1973 Buchla Easel V sounds like “2049,” and on top of that, Arturia has added polyphony and innovative modulations. [video:https://www.youtube.com/watch?v=6g0YOGJJGho width:500 height:400 align:center] It has a semi-modular architecture, five generators with all functions individually routable to its 76 modulation destinations, cable-and-color-coded routing, with complex oscillators, modulation sources, dual low-pass gates, a sequencer, 10 FX, and 256 presets to start tearing them apart to your liking. Its feedback loop to the preamp itself will make you blast sounds. If the word "weird" does not exist in your dictionary and you are looking to break and step outside the established, this is your synth. A toy for adults. ARTURIA CMI V The CMI V Fairlight was a workstation, a digital synthesizer and sampler, created in 1979. The Fairlight "the legend" was the unattainable dream of musicians in the 80s, inaccessible due to its price; only the top had it. The word Fairlight made people's hair stand on end and was on everyone's lips, but no one really knew what it was about either; there was little information, we only knew that "it rocked a lot" and that it sounded more real, thicker, and more powerful than any other. Capturing samples of real sounds, processing them, making loops, and being able to play them through a keyboard, tuned and converted into notes, was something magical that opened paths and minds. The restless and avant-garde musician Peter Gabriel was one of the pioneers in using it on his IV album, an album with deep atmospheres, huge and powerful percussion never heard before, which recalls the epic of the current soundtrack. [video:https://www.youtube.com/watch?v=ON8lVgJxMQA width:500 height:400 align:center] Arturia brings us the reincarnation of that dream of so many musicians with the addition of new features, modulation options, and improvements that were not possible at the time. It allows you to work with ten instruments at once, layer them, mix them, or split them to our liking. It carries the nostalgic original vintage library and current creation sounds. Great sampling fidelity with the introduction of Spectral Synthesis, a new sound generation mode, FX, and a sequencer. The father of "samplers". ARTURIA PIANO V 2 (update) This completely versatile and flexible piano now arrives with an improved update that adds 3 more models (Japanese Gran Piano, Plucked Grand, and Tack Upright), EQ improvements, new delay FX, an added polyphony parameter, a new compressor, etc. With the Piano V you can perform with absolute realism from classical music to pop, or let your imagination fly by customizing it towards atmospheric and subtle worlds, to metallic, matte, out-of-tune pianos, etc. Ideal for recreating images musically and perfect for using it in movie soundtracks. Its presets are easily malleable. It also has new modifications added in the microphone position, with 14 room simulator models. It is adaptable to hardness, hammer position and dynamic range, with mechanical noises of the pedal, hammer, etc. It contains 12 piano models to choose from. A magnificent and huge piano that takes up no space and will not bring you problems in your next move. ARTURIA ANALOG LAB 3. (update) Instrument with a unique and practical control panel with ultra-easy access in the search and classification of the summary of 6,000 of the best sounds from the 21 keyboards that make up the V Collection 6 by Arturia. Very intuitive graphics classified by 4 groups (Synths – Pianos – Organs – Multi) and these in turn with divisions by instrument types. You can also create layers and FX in multiple mode with easily assignable parameters to different controllers. With this monster you will have a fast and huge palette of styles and sounds in a single instrument that will simplify your live performance or composition almost without having to open others. The new update improves the browser, adds the Sound Store page, also renews the preset classification option "featured", makes it compatible with Pro Tools 10, fixes bugs, etc., etc. Frans Beltran Frans Beltran, is a composer, producer & sound designer. Guitar, piano & voice. Specialty in avant-garde music and soundtracks. Productions for electronic, hip hop, pop, and metal groups, TV Advertising, documentaries, contemporary classical music, series, and movies. - Two awards (jury and public) from the IN EDIT Bacelona 2017 film festival for the best musical documentary "Baila o muere". - Top Ten in the Deustche Alternative Charts 2001 with his own project launched from Sweden, "Iberian Spleen". - Others: Shakira, Ktulu, Fausto 5.0, Macaco, Museum of Science, Sputnik, Nissan, Ford, Seat, etc... If you want to know the price and availability of the new Arturia V Collection 6, we invite you to visit our online store. If you need more information about this or other Arturia products, do not hesitate to contact our team, we will be delighted to help you. MICROFUSA / BARCELONA STORE Sepúlveda, 134. Barcelona / Tel.: 934 553 695 MICROFUSA / MADRID STORE Ardemans, 9. Madrid / Tel.: 917 242 800 MICROFUSA / ONLINE STORE
