Highly acclaimed in the sphere of sound production and engineering for its commitment to beautiful sound and a fantastic workflow for users of its plugins, FabFilter's solid reputation for quality has established it as one of the most popular and beloved names in the world of music creation. .

Now available as a complete bundle for the mixing and mastering stages of audio production, Pro Bundle contains a great number of FabFilter's most valuable tools: its equalizer, reverb, limiter, multiband dynamics, compressor, de-esser, and gate/expander plugins.

Give your music some space

As one of the most used effects in the audio world, reverbs come in all shapes and sizes. A great reverb sounds natural and fits perfectly into the mix. At the same time, it should not confuse you with overly technical controls, but should be easy to set up and a pleasure to work with. Introducing FabFilter Pro-R.

FabFilter Pro-R takes a musical approach to reverb and offers easy-to-use, non-technical controls such as Brightness, Character, and Distance to achieve the reverb sound you are looking for, without needing a degree in reverb science.

The continuous space control allows you to fade between dozens of different, carefully crafted room models, automatically choosing a matching decay time for a natural-sounding result.

Features

• Beautifully designed room models, ranging from small spaces and rooms to large concert halls and enormous cathedrals.
• Carefully developed to fit easily into the mix, without causing unwanted coloration, density, or phase issues.
• Magnificent Retina interface with a large interactive reverb display featuring decay rate and post-EQ curves
• Very easy to set up, with easy-to-use, non-technical controls
• Continuous space control, which intelligently and smoothly combines the room model and reverb decay time. You can choose from over a dozen carefully designed room models and switch between them seamlessly, without hearing clicks or unwanted artifacts.
• Decay rate control, which changes the overall decay time from 50% to 200% of the current space setting
• Intelligent stereo width control, ranging from pure mono to true stereo and beyond
• Distance control to adjust the proximity to the sound source in the selected space
• The Character control changes the sound from a clean and transparent decay to an animated reverb with pronounced reflections and echoes, all the way to an overmodulated chorus effect.
• Perfectly tuned brightness knob, which affects not only the overall brightness, but also the roll-off of high frequencies
• Mix knob with a mix lock option, which prevents the preset from overriding the current mix setting
• Predelay control via the bottom bar, ranging from 0 to 500 ms, with optional host tempo sync
• Innovative six-band decay rate equalizer, giving you full control over the decay rate at different frequencies
• Six-band Post EQ to equalize the final reverb sound. Together with Decay Rate EQ, this allows you to design reverbs of any style or character
• Real-time spectrum analyzer that also visualizes the decay time at different frequencies
• Full-screen mode, offering a large analyzer display and a decay rate EQ and Post EQ controller
• Multiple interface sizes: Medium, Large, and Extra Large
• Stereo and mono plugins available
• Supports common Pro Tools hardware control surfaces
• MIDI Learn
• Undo/redo and A/B comparison
• Intelligent parameter interpolation
• Sample-accurate automation of all parameters
• Extensive help archive with interactive help suggestions

Redefined multiband dynamics

Multiband compression and expansion are powerful tools, but notoriously difficult to set up and control. Enter FabFilter Pro-MB: make multiband dynamics processing intuitive yet powerful at the same time.

Instead of conventionally splitting the entire spectrum with crossovers, Pro-MB allows you to directly create a new band in the frequency range where you want to work. Think in bands, not crossovers.

The interactive multiband display clearly shows that the rest of the spectrum remains intact. And if you wish, you can easily link the bands to recreate a traditional crossover system.

Features

• Up to six processing bands, freely placed anywhere in the spectrum
• Bands can be easily linked to form a traditional crossover system
• Handles any form of dynamics processing, from highly transparent compression, limiting, and expansion to pumping upward compression and impactful gating
• Unique zero-latency dynamic phase processing mode, with no static phase shifts and no pre-ringing artifacts
• Excellent linear phase processing mode, which eliminates audible artifacts when quickly changing crossover frequencies
• Minimum phase processing mode
• Linear phase oversampling up to four times
• Fully customizable per band: threshold, range, attack, release, output gain, ratio, variable knee, lookahead (up to 20 ms), variable stereo linking, mid-only or side-only processing, external sidechain input, frequency range triggering
• The slope of each crossover can be freely adjusted between 6 dB/oct and 48 dB/oct
• Intelligent attack and release curves, highly program and frequency dependent
• Global dry/wet mix from 0% to 200% to easily scale the overall effect of the plugin
• Beautiful Retina interface with a unique interactive multiband display, designed for an optimal workflow
• Accurate and smooth real-time frequency analyzer with pre- and post-processing options and a "freeze" function
• High-quality audio processing algorithms with internal 64-bit processing when necessary
• Solo/mute and bypass band options
• Accurate output metering
• GPU-powered graphics acceleration
• Double-click the text input of the parameter values
• Stereo and mono plugins available
• Supports common Pro Tools hardware control surfaces
• MIDI Learn
• Undo/redo and A/B comparison
• Intelligent parameter interpolation
• Sample-accurate automation of all parameters
• Extensive help archive with interactive help suggestions

Your music has a lot to gain.

A true peak limiter is an essential tool for every mastering or mixing engineer. Are you looking for a feature-packed professional limiter that is both fast and transparent, equipped with a wide dynamic range meter? Then FabFilter Pro-L 2 is your preferred weapon!

FabFilter Pro-L 2 features accurate true peak level meters and a wide dynamic range meter compatible with EBU R128, ITU-R BS.1770-4, and ATSC A/85 standards. Combined with its exclusive real-time level display, it has all the information you need to achieve the best possible results.

With highly advanced algorithms, linear phase oversampling, professional metering, noise modeling, surround sound support (up to Dolby Atmos 7.1.2), and intelligent channel linking, FabFilter Pro-L 2 is the complete solution for every mixing and mastering job.

Features

• Great transparent sound combined with maximum volume
• Eight different limiting algorithms, all with their own character and purpose.
• True peak limiting
• Exclusive real-time level display with maximum gain reduction labels and innovative new display modes
• Linear phase oversampling up to 32x
• High-precision output metering and gain reduction, including true peak metering
• Wide dynamic range metering with support for EBU R128, ITU-R BS.1770-4, and ATSC A/85 standards
• Surround sound compatibility, including Dolby Atmos 7.0.2 and 7.1.2 formats with flexible surround channel linking
• Optional DC offset filter
• External sidechain triggering for stem mastering
• Unity gain option to easily hear the effect of the current limiting on the unity gain level
• Audition limiting option to hear the difference between the input and output signal
• Adjustable meter scale, including K-System compatibility
• Low CPU usage
• Separate channel linking for the transient and release stages
• Advanced interpolation with three different noise modeling algorithms
• GPU-powered graphics acceleration
• Double-click the text input of the parameter values
• Adapts to stereo, mono, and surround audio formats
• Adjustable lookahead, attack, and release settings
• Optional compact interface design
• Supports common Pro Tools hardware control surfaces
• MIDI Learn
• Undo/redo and A/B comparison
• Intelligent parameter interpolation
• Extensive help archive with interactive help suggestions

The best possible sound quality, unparalleled interface workflow

An equalizer is probably the tool you use most when mixing and mastering, so you need the best of the best. With FabFilter Pro-Q 3, you get the best possible sound quality, a very extensive feature set, and a beautiful, innovative interface with unmatched ease of use.

Pro-Q 3 offers everything a demanding engineer could wish for: high-quality linear phase operation with zero latency and unique natural phase modes, smooth dynamic EQ, per-band mid/side processing, full surround sound support (up to Dolby Atmos 7.1.2), an intelligent solo function, optional auto gain, and a fully customizable built-in spectrum analyzer.

Features

• The best possible sound quality
• Up to 24 EQ bands
• Optional dynamic EQ mode for all bands (bell and shelf shapes), using any slope setting and with perfect analog-style blending, with optional external sidechain triggering
• Magnificent Retina interface with a large interactive EQ display, multiband selection and editing for maximum ease of use and efficiency
• Ultra-steep 'Brickwall' slope setting for LP and HP filters
• Full surround sound compatibility (up to Dolby Atmos 7.1.2) with intelligent speaker selection
• External spectrum display from any other instance of Pro-Q 3, including collision detection
• Per-band mid/side or left/right processing, so you can equalize the mid, side, left, or right signals separately
• Works in zero-latency mode, adjustable-latency linear phase mode, or the exclusive natural phase mode
• Flat slope filter shape, a flat slope correction curve across the entire audible frequency spectrum
• Spectrum Grab: simply grab and adjust a peak on the real-time spectrum analyzer immediately.
• Different interface sizes and additional full-screen mode
• Filter shapes: Bell, Notch, High/Low Shelf, High/Low Cut, Bandpass, Sloped Shelf, Flat Slope
• Universal filter slope compatibility for all filter types, up to 96 dB/oct
• EQ Match function to automatically match the spectrum of another instance of Pro-Q 3 or an external signal
• Built-in spectrum analyzer with Pre-EQ, Post-EQ, and external spectrum display, adjustable range, speed, resolution, slope, freeze, and collision detection
• Auto gain and gain scale
• Optional piano roll display to quantify EQ frequencies to musical notes
• Different display ranges: 3 dB and 6 dB ranges for mastering, 12 dB and 30 dB for mixing
• The intelligent solo mode makes it easy to find problematic frequencies and hear the effect of a band
• Phase inversion option to change polarity
• Large output level meter with peak level reading
• Extreme CPU optimization: Pro-Q 3 uses very little CPU and memory, so you can use hundreds of instances in a session
• GPU-powered graphics acceleration
• Double-click the text input of the parameter values
• Supports stereo, mono, and surround channel layouts (up to Dolby Atmos 7.1.2)
• Supports common Pro Tools hardware control surfaces
• MIDI Learn with an option to control the currently active band
• Undo/redo and A/B comparison
• Intelligent parameter interpolation
• Sample-accurate automation of all parameters
• Extensive help archive with interactive help suggestions

Professional compression for everyone

FabFilter Pro-C 2 is a high-quality compressor plugin for the most demanding engineers. Whether you need subtle mastering compression, direct lead vocals, that magical drum glue, or deep EDM pumping: Pro-C 2 does the job with style

Pro-C 2 offers eight different program-dependent compression styles, each with a beautiful sound and character. But there's more! In addition to the classic compressor controls, you also get smooth lookahead, up to 4x oversampling, intelligent auto gain and release, variable knee, hold, range, external sidechain triggering, variable stereo linking, and mid/side processing. all packaged in a beautiful Retina user interface.

Features

• Eight different compression styles, five of which are new in version 2: Vocal, Mastering, Bus, Punch, and Pumping
• Range adjustment, which limits the maximum applied gain change
• Magnificent Retina interface, with animated level knee displays (optional) and accurate peak/loudness metering
• Mix setting, which scales the gain change from 0% to 200%
• Sidechain EQ section, with customizable HP and LP filters, plus an additional freely adjustable filter
• Full-screen mode, offering a large level display and a sidechain EQ controller
• Program-dependent attack and release curves
• Large and accurate gain reduction and level meters, with peak and loudness display. The loudness level complies with the momentary mode of the EBU R128 / ITU-R 1770 standards
• Smooth lookahead (up to 20 ms), which can be enabled/disabled to ensure zero-latency processing
• Retina compatibility on OS X and High DPI compatibility on Windows
• Intelligent auto gain
• External sidechain triggering
• Hold (up to 500 ms)
• GPU-powered graphics acceleration
• Custom knee, variable from hard knee to soft 72 dB knee (to enable saturation-like effects)
• Stereo and mono plugins available
• Auto release
• Optional MIDI triggering
• Super-fast attack times
• Supports common Pro Tools hardware control surfaces
• Oversampling up to 4x
• MIDI Learn
• Variable stereo linking and mid/side processing, with mid-only, side-only, M > S, and S > M processing.
• Undo/redo and A/B comparison
• Audition Triggering option, which allows users to hear what parts of the Pro-C 2 audio are triggering and how much compression is occurring.
• Intelligent parameter interpolation
• Multiple interface sizes: Small, Medium, and Large
• Sample-accurate automation of all parameters
• Extensive help archive with interactive help suggestions

Intelligent and transparent

Even when using the best microphones, preamps, and converters, sibilance in vocal recordings can easily become accentuated during post-processing, such as compression or saturation. But don't worry, FabFilter Pro-DS is here to the rescue!

With its highly intelligent 'unique voice' detection algorithm, FabFilter Pro-DS accurately identifies sibilance in vocal recordings and attenuates it transparently.

When Allround mode is used, Pro-DS becomes a great tool for high-frequency limiting of any material, such as drums or even full mixes.

Features

• Highly intelligent 'unique voice' detection and classic 'Allround' detection
• Real-time de-essing display, which clearly shows the affected parts of the processed audio
• Adjustable threshold, range, and HP/LP filter adjustment detection
• Transparent program-dependent compression/limiting
• Broadband or split-band linear phase processing
• Optional lookahead time up to 15 ms
• Freely adjustable stereo linking
• Optional mid-only or side-only processing
• Linear phase oversampling up to four times
• Sidechain input meter, making it easy to choose a good threshold value
• Built-in real-time spectrum analyzer in the HP/LP filter controller
• GPU-powered graphics acceleration
• High-quality internal 64-bit processing
• Double-click the text input of the parameter values
• Large and compact interface sizes
• Stereo and mono plugins available
• Supports common Pro Tools hardware control surfaces
• MIDI Learn
• Undo/redo and A/B comparison
• Intelligent parameter interpolation
• Sample-accurate automation of all parameters
• Extensive help archive with interactive help suggestions

Expands with style

A good gate/expander is an indispensable tool in any mix or live situation. FabFilter Pro-G offers everything you could wish for: perfectly tuned algorithms, full control over the sidechain and channel linking, excellent metering, and excellent interface design.

In addition to excellent sound, FabFilter Pro-G also provides very flexible routing. You can choose between mono, stereo, or mid/side processing, and in expert mode, the external sidechain input is available with fully customizable linking and channel routing.

FabFilter Pro-G combines smart input/output level meters with a real-time level display and transfer curve. Everything was designed specifically to provide clear information about the current gate/expander settings and processing, allowing you to set them up easily.

Features

• Six meticulously tuned expander/gate algorithms, including upward expansion and ducking
• Program-dependent attack and release curves
• Low CPU usage
• Adjustable range, hold time, and knee settings
• Optional lookahead time of up to 10 ms
• Accurate and useful metering, including a real-time level display
• Expert mode offering highly customizable sidechain options
• Mono, stereo, or mid/side processing
• Linear phase oversampling up to four times
• Zero-latency operation mode
• MIDI activation: open the gate/expander with your MIDI keyboard
• External sidechain option
• Separate dry/wet level settings
• Easy to set up for common triggering/expansion scenarios with factory presets included
• GPU-powered graphics acceleration
• Double-click the parameter value text input
• Stereo and mono plugins available
• Supports common Pro Tools hardware control surfaces
• MIDI learn
• Undo/redo and A/B comparison
• Smart parameter interpolation
• Comprehensive help file with interactive help tips

System requirements

Windows:

• 64-bit: Windows 10, 8, 7, or Vista
• 32-bit: Windows 10, 8, 7, Vista, or XP
• VST 2/3 or Pro Tools host

Mac OS:

• macOS 10.10 or later (64-bit only)
• AU or VST 2/3 or Pro Tools host
• Intel or Apple Silicon processor

Plugin formats:

All FabFilter plugins are available in VST, VST3, Audio Units, AAX Native, and AudioSuite formats.