Features:

• Advanced wave-morphing synthesis engine

• 24 polyphonic pressure-sensitive pads with multiple templates to choose different scales

• Desktop and rack format (includes rack ears for mounting in a standard 19" rack)

• 8 voices of total polyphony

• 3 oscillators with 219 waveforms 

• Wavelist mode on oscillators 1 and 2 for wavemorphing creation, allowing you to choose between 8 waves from the 219 waveform bank, structure them, and morph between them

• Two wave mutators for oscillators 1 and 2, allowing modulation and shaping for linear FM, wavestack, hard sync, pulse width, PW squeeze, PW-ASM, and harmonic sweep processes

• The 3 oscillators feed into a mixer along with a noise generator and ring modulator

• Two multimode filters configurable in series or parallel with 11 filter model types

• 5 LFOs with step mode allowing you to create patterns of up to 8 steps for the 5 different mini sequencers it incorporates along with the 10 waveforms

• 5 DAHDSR envelopes

• Extensive modulation matrix with 32 modulation routings that the user can define for the 29 sources and 155 destinations

• Advanced arpeggiator with ratcheting and the ability to modulate most parameters to modify the arpeggios in real time

• Allows using up to 4 effects simultaneously in pre and post mode with modeled delays and reverbs of the most popular effects on the market

• Interface with MIDI and USB/MIDI inputs and outputs

• Interface with CV/Gate inputs and outputs that supports standard voltages for Eurorack modulars as well as Japanese voltages>HZ

• OLED screen where we can navigate patches, configure system settings, and view parameters such as envelopes, waveforms, filters, etc.

• "Init" and "Random" buttons that allow an initial sound or add randomness to a patch or specific modules

• Master control section for parameter editing, patch names, and macros

• OLED screens, high-resolution encoders with LED rings, and 8 buttons

• Voice parameters to access playback modes, analog feel, voice panning, and other functions

• Patch macro function, designed to have deep control of the engine live and consists of 8 assignable encoders and buttons that can be routed to 8 destinations

• Includes 5 banks of 128 patches created by sound designers with up to 256 factory patches that we can easily find through the built-in browser or through the patch manager plugin for PC and Mac

Hardware specifications:

• Metal chassis with steel front and bottom, aluminum sides in 5 rack units

• 24 polyphonic pressure-sensitive pads

• Pitch bend mode, CC control mode (modulation source), theremin mode (launches envelopes and plays pitch), continuous pitch mode or allows choosing between multiple scales

• 5 banks of 128 patches memory

• Support for multiple standard CV: 1v per octave +/-5V, 1V per octave 0-10V, Hz to Volts +/-5V, Hz to Volts 0-10V

• Support for multiple standard Gate: V-trig, S-trig, 3V, 5V, 10V

• Support for multiple standard input/output modulation range: +/5V, 0-10V, 0-5V, 0-1V

• Support for multiple standard input and output clock: 1PPS, 2PPQ, 24PPQ, 48 PPQ, and clock voltage - 3v, 5V, 10V

• MIDI input, output, and Thru in 5-pin DIN connector

• Voice overflow mode to expand voices with another Hydrasynth

• Expression pedal input

• Sustain pedal input

• Polarity detection input

• DC power input connector

• USB port supporting USB Midi input and output

• Dimensions: 44 x 22.3 x 7 cm

• Weight: 3.6 Kg

Sound specifications:

• 2 Wavemorphing oscillators

• 219 single-cycle waveforms

• User wavetables with 8 user-selectable wave lists per oscillator to create custom wavetables

• Each oscillator and patch can have its own user wavetable

• WaveScan parameter for modulation through wavetables

• Keytracking - 0-200%

• Tuning range of +/- 3 octaves

• 2 Mutators per oscillator with linear FM (selectable modulator source), Wavestack, Pulse Width Mod, PWSqueeze, PW-ASM, Hard Sync, selectable input sync source, and harmonic sweep

• Noise generator with white and brown noise sources

• Ring modulator with selectable input sources (OSC1, OSC2, OSC3, Noise, all Mutator outputs, external Mod ½ in), and depth control

• Mixer sound sources (OSC1, OSC2, OSC3, Noise, and Ring Mod.), panning for each source, filter routing mix, and solos

• 2 filters with series or parallel routing

• Different selectable filter modes: modern 12 & 24 dB ladder (compensated), and vintage 12 & 24 dB ladder filter (uncompensated), Threeler HP and LP, MS20 HP and LP, Low pass Gate, vocal filter (with multiple vocal parameter, and formants)

• Filter 2 Lowpass-Band pass-High pass (Oberheim SEM style) continuously variable

Modulation specifications:

• 5 LFOs with 10 static waves (Sine, triangle, Square, Saw up, Saw down, S&H, Low random, Noise, Pulse width 25%, Pulse Width 12.5%), 8-step Step Wave, Step smoothing, step glide, clock sync, start phase, start delay, input fade, master output gain, trigger modes (mono, poly, free), and one shot mode

• 5 envelope generators with 6 DAHDSR envelopes (Delay, Attack, Hold, Decay, Sustain, Release)

• Slope curves for ADR phases

• Selectable envelopes from linear to full exponential, and full logarithmic

• Tempo and time option for length adjustment in each envelope phase

• Looping for AHD phases for creating LFO-type modulation

• Trigger modes: Legato, Reset, and Retrigger

• Modulation matrix with 32 slots for routing modulation source to destination, with quantity

• Modulation matrix slots can be modulation destinations

• 8 Macro knobs and buttons (each macro knob can be positive and negative of up to 8 destination controls)

• Arpeggiator with arpeggiator parameters that can be modulation destinations

• Arpeggiator modes: Up, down, up/down, Up&down, random, note order, chord, pattern

• Arpeggiator octave range: 1,2,3, and 4

• Arpeggiator playback order: Up, down, up/down

• Other arpeggiator functions such as swing, gate time, ratchet (note repetition), and chance (which sets how much the ratcheting acts)

Effect specifications:

• Pre-effects: before Delay and Reverb

• Chorus, Flanger, Rotary, Phaser, Lo-Fi, Tremolo, EQ, Compressor (with side chain)

• Delay with modes: Tape, Ping-pong, Analog, PitchShift, Reverse, Filter delay

• Reverb with modes: Room, Hall, Shimmer, Cloud, DarkSpace

• Post-effects: Chorus, Flanger, Rotary, Phaser, Lo-Fi, Tremolo, EQ, Compressor (with side chain)