1st. With a headstock nut width of 5.08 cm and the neck-body joint at the 12th fret. All designated GRAND CONCERT.
GRAND CONCERT SA Synthesizer access. Solid top.

GRAND CONCERT ENCORE with 2 transducers in the top and 1 under the bridge saddle. Balanceable. Solid top.

GRAND CONCERTE DELUXE with balanceable LR Baggs electronics and the Lyric microphone. Solid top.

2nd. With a headstock nut width of 4.82 cm and the neck-body joint at the 15th fret. All designated MULTIAC NYLON.
NYLON SA Synthesizer access. Solid top.

NYLON ENCORE with 1 transducer under the bridge saddle and 2 in the top. Balanceable. Solid top.
NYLON DELUXE with balanceable LR Baggs electronics and the Lyric microphone. Solid top.
ACS SA Synthesizer access. Solid body.

MULTIAC MUNDIAL With 1 transducer under the bridge saddle and 2 in the top. Solid top. Spanish Cedar neck.
3rd. With a headstock nut width of 4.32 cm and the neck-body joint at the 15th fret.
ACS SLIM SA Synthesizer access. Solid body.
POINTS TO CONSIDER WHEN CHOOSING A MULTIAC NYLON
1.- Headstock nut width.
- 5.08 cm. Neck-body joint at the 12th fret.
- 4.82 cm. Neck-body joint at the 15th fret.
- 4.32 cm. Neck-body joint at the 15th fret.
2.- Electronics type.
- SA. With synthesizer access. L.R. Baggs system.
- Encore and Mundial. 2-transducer system, one under the bridge saddle and two in the top. Balanceable.
- DeLuxe. L.R. Baggs system. With 6 individual transducers in the bridge and a Lyric microphone in the body. Balanceable and with phase control.
3.- Body type.
- Solid body. The top is decorative, meaning it does not vibrate. It is like an electric guitar with nylon strings. No feedback issues at high volume. All ACS.
- Body with a solid top made of Cedar or Spruce that vibrates and produces sound unplugged. Warmer sound than ACS.
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